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  1. Nazi plunder - Wikipedia

    Nazi plunder (German: Raubkunst) was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.

    Jewish property was looted beginning in 1933 in Germany and was a key part of the Holocaust. Nazis also plundered occupied countries, sometimes with direct seizures, and sometimes under the guise of protecting art through

    Nazi plunder (German: Raubkunst) was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.

    Jewish property was looted beginning in 1933 in Germany and was a key part of the Holocaust. Nazis also plundered occupied countries, sometimes with direct seizures, and sometimes under the guise of protecting art through Kunstschutz units. In addition to gold, silver, and currency, cultural items of great significance were stolen, including paintings, ceramics, books, and religious treasures.

    Many of the artworks looted by the Nazis were recovered by the Allies' Monuments, Fine Arts, and Archives program (MFAA, also known as the Monuments Men and Women), following the war; however many of them are still missing or were returned to countries but not to their original owners. An international effort to identify Nazi plunder which still remains unaccounted for is underway, with the ultimate aim of returning the items to their …

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    Adolf Hitler, an unsuccessful artist denied admission to the Vienna Academy of Fine Arts, thought of himself as a connoisseur of the arts, and in Mein Kampf, he ferociously attacked modern art as degenerate. He considered Cubism, Futurism, and Dadaism products of a decadent 20th-century society. When Hitler became chancellor of Germany in 1933, he enforced his aesthetics. The Nazis favored classical portraits and landscapes by Old Masters, particularly those of Germanic origin. Modern art was dubbed degenerate art by the Third Reich. All such art found in Germany's state museums was sold or destroyed. With the funds raised, the Führer's objective was to establish a European Art Museum in Linz. Other Nazi dignitaries like Reichsmarschall Hermann Göring and Foreign Affairs minister Joachim von Ribbentrop, also took advantage of German military conquests to grow their private art collections.

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    The systematic dispossession of Jewish people and the transfer of their homes, businesses, artworks, financial assets, musical instruments, books, and even home furnishings to the Reich was an integral component of the Holocaust. In every country controlled by Nazis, Jews were stripped of their assets through a wide array of mechanisms and Nazi looting organizations.

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    The most notorious auction of Nazi looted art was the "degenerate art" auction organized by Theodor Fischer on 30 June 1939 at the Grand Hotel National in Lucerne, Switzerland. The artworks on offer had been deaccessioned from German museums by the Nazis, yet many well known art dealers participated alongside proxies for major collectors and museums. In addition to public auctions, there were many private sales by art dealers. The Commission for Art Recovery has characterized Switzerland as "a magnet" for assets from the rise of Hitler until the end of World War II. Researching and documenting Switzerland's role "as an art-dealing centre and conduit for cultural assets in the Nazi period and in the immediate post-war period" was one of the missions of the Bergier Commission, under the directorship of Professor Georg Kreis.

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    The Nazis plundered cultural property from Germany and every occupied territory, targeting Jewish property in particular in a systematic manner with organizations specifically created for the purpose, to determine which public and private collections were most valuable. Some were earmarked for Hitler's never realized Führermuseum, some went to other high-ranking officials such as Hermann Göring, and others were traded to fund Nazi activities.

    In 1940, an organization known as the Einsatzstab Reichsleiter Rosenberg für die Besetzten Gebiete (Reichsleiter Rosenberg Taskforce), or ERR, was formed, headed for Alfred Rosenberg by Gerhard Utikal [de]. The first operating unit, the western branch for France, Belgium, and the Netherlands, called the Dienststelle Westen (Western Agency), was located in Paris. The chief of this Dienststelle was Kurt von Behr. Its original purpose was to collect Jewish and Freemasonic books and documents, either for destruction or for removal to Germany for further "study". However, late in 1940, Hermann Göring, who in fact controlled the ERR, issued an order that effectively changed the mission of the ERR, mandating it to seize "Jewish" art collections and other objects. The war loot had to be collected in a central place in Paris, the Museum Jeu de Paume. At this collection point worked art historians and other personnel who inventoried the loot before sending it to Germany. Göring also commanded that the loot would first be divided between Hitler and himself. Hitler later ordered that all confiscated works of art were to be made directly available to him. From the end of 1940 to the end of 1942, Göring traveled 20 times to Paris. In the Jeu de Paume museum, art dealer Bruno Lohse staged 20 expositions of the newly looted art objects, especially for Göring, from which Göring selected at least 594 pieces for his own collection. Göring made Lohse his liaison-officer and installed him in the ERR in March 1941 as the deputy leader of this unit. Items which Hitler and Göring did not want were made available to other Nazi leaders. Under Rosenberg and Göring's leadership, the ERR seized 21,903 art objects from German-occupied countries.

    Other Nazi looting organizations included the Führermuseum, the organization run by the art historian Hans Posse, which was particularly in charge of assembling the works for the Führermuseum, the Dienststelle Mühlmann, operated by Kajetan Mühlmann which operated primarily in the Netherlands and in Belgium, and a Sonderkommando Kuensberg connected to the minister of foreign affairs Joachim von Ribbentrop, which operated first in France, then in Russia and North Africa. In Western Europe, with the advancing German troops, were elements of the "von Ribbentrop Battalion", named after Joachim von Ribbentrop. These men were responsible for ent…

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