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- Expression of intuitionCroce critiques previous aesthetic theories, offering a new perspective that centers art as an expression of intuition, distinct from logical knowledge. He defines art as the manifestation of expressive knowledge, emphasizing the autonomy and independence of artistic expression.philosophy.institute/aesthetics/benedetto-croce-aesthetics-approach/
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WEBMay 4, 2008 · The Neapolitan Benedetto Croce (1860–1952) was a dominant figure in the first half of the twentieth century in aesthetics and literary criticism, and to lesser but not inconsiderable extent in philosophy generally. But his fame did not last, either in Italy or …
See results only from plato.stanford.eduHegel's Aesthetic Philoso…
Learn about Hegel's philosophy of art, his analysis of various forms of beauty and …
Dewey, John: Aesthetics
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Croce's work Breviario di estetica (The Essence of Aesthetics) appears in the form of four lessons (quattro lezioni) in aesthetics that he was asked to write and deliver at the inauguration of Rice University in 1912. He declined an invitation to attend the event, but he wrote the lessons and submitted them for translation so that they could be read in his absence.
In this brief, but dense, work, Croce sets forth his theory of art. He believed that art is more imp…Wikipedia · Text under CC-BY-SA license- Estimated Reading Time: 9 mins
WEBBenedetto Croce on aesthetics - Intuition, Expression, Philosophy: One of the first problems to arise, when the work of art is defined as “lyrical image,” concerns the relation of “intuition” to “expression” and the manner of the transition from the one to the other.
WEBThe following article on aesthetics—first published in 1929, in the 14th edition of the Encyclopædia Britannica—is shaped by Croce’s unique and enduring idea that art embodies not beauty but “expression,” or the coherent movement of the will.
WEBThe science of art, or aesthetics, and its philosophical character. in Benedetto Croce on aesthetics in AESTHETICS. Written by. Benedetto Croce. Historian, humanist, and foremost Italian philosopher of the first half of the 20th century.
WEBCroce's theory, which strongly influenced the New Critics, opened fresh perspectives on art and criticism; indeed, it revitalized the whole field of esthetics, impressing upon it an anti-positivistic course, and asserting the independence of art and its cognitive character. Croce considers the problem of art to be a philosophical
WEBHow does Croce define "art"? What theories of art does Croce argue are mistaken? According to Croce, how are concepts and intuitions related? Clarify the "vital principle" which Croce believes makes intuition artistic. What is it that gives coherence to the images forming "a genuine work of art"? How does Croce characterize spiritual activity?
WEBview of art as Mimesis, subject to the laws of symmetry and order, and the appearance of a conception which, in its extremer forms at least, looks upon art as a subjective phenomenon, curbed by no. law except the demand for lyric purity of feeling. Benedetto Croce's aesthetic theory is subjectivism pushed to this.
WEBCroce’s clearest theory of art appeared in his 1912 lecture at the inauguration of the Rice Institute in Houston, Texas. Published in 1913 as Breviario di estetica (the Essence of Aesthetic) and in 1915 in English as “The Breviary of Aesthetic,” it was there that he made the famous claim of the primacy of art over science or metaphysics ...
Benedetto Croce’s Revolutionary Approach to Aesthetics
WEBCroce believed that art is an expression of intuition and that it stands apart from logical, scientific knowledge. Let’s dive into Croce’s groundbreaking theories and explore how they challenge traditional views on art and aesthetics.
Benedetto Croce on aesthetics - Criticism, History, Art
WEBBenedetto Croce on aesthetics - Criticism, History, Art & Literature: Another group of questions raised in works on aesthetics, though not unsuitable to such works, properly belongs to logic and the theory of historical thought.
WEBBenedetto Croce : Art and Intuition. 1. Intuition and Expression. The Italian philosopher and literary critic Benedetto Croce (1866–1952) had a great influence on the European aesthetic and literary debate in the first part of the twentieth century.
WEBThe Principles of Art (1938), which bears the clearest marks of Croce's influence, is beyond doubt one of the very few first-rate English works on aesthetics to appear in the last half-century.
History of the Ontology of Art - Stanford Encyclopedia of Philosophy
WEBAug 29, 2011 · This is explicit in Benedetto Croce (1913, 1965, 9–10) when he asserts that works of art cannot be physical entities because works of art are “supremely real” whereas the physical world is “unreal.”. Another proponent of an idealist ontology of art is Waldemar Conrad (1908–09).
Benedetto Croce (1866-1952) | Issue 157 | Philosophy Now
WEBCroce was deeply influenced by the philosopher Gianbattista Vico, and even bought his old house, and a friend encouraged him to explore the obscure musings of Hegel. From Vico he developed his ideas concerning creativity, art, and history.
Croce's Aesthetics - Stanford Encyclopedia of Philosophy
WEBMay 4, 2008 · The Neapolitan Benedetto Croce (1860–1952) was a dominant figure in the first half of the twentieth century in aesthetics and literary criticism, as well as philosophy generally. But his fame did not last, either in Italy or in the English speaking world.
Benedetto Croce on aesthetics - Artistic objects: the theory of the ...
WEBBenedetto Croce on aesthetics - Artistic objects: the theory of the special arts, and the beauty of nature: The work of communicating and conserving artistic images, with the help of technique, produces the material objects metaphorically called “artistic objects” or “works of art”: pictures, sculptures and buildings, and, in a more ...
Aesthetic | As Science of Expression and General Linguistic
WEBOct 30, 2017 · Croce regards aesthetics not merely as a branch of philosophy, but as a fundamental human activity. It is inseparable from historical, psychological, political, economic, and moral considerations, no less than a unique frame of artistic reference.
WEBIT is not my intention in this brief essay to give an exhaustive critical analysis of the theory of art championed by Croce and his follower Collingwood; I intend only to point out certain confusions in and misunderstandings of their theory, and to make a few critical comments in the light of them.
Emotion Theory in Art: The Affective Power of Artistic Expression
WEBExamines the theory that art's primary function is to evoke emotional responses. This perspective, significantly influenced by thinkers like Benedetto Croce and R.G. Collingwood, views art as an expression of the artist's emotions, aiming to connect with the viewer on a deeply personal level.
The Aesthetics of Benedetto Croce. Art as a Form of Knowledge
WEBAs Croce puts it: “The principal problematic of our times, namely that aesthetics must be dominant, can be traced to art’s crisis and in the judgment of art produced by the era of Romanticism.
Benedetto Croce on aesthetics - Philosophy, Criticism, Art
WEBIn the richest and most striking work of this school, the Lectures on Aesthetic of Hegel (1765–1831), art, with religion and philosophy, is placed in the “sphere of absolute mind,” where the mind is set free from empirical knowledge and practical action, and enjoys the beatific thought of God or the Idea.
Benedetto Croce's Theory of Aesthetic Criticism on JSTOR
WEBBenedetto Croce's Theory of Aesthetic Cr... Journal Article. OPEN ACCESS. Studies in Philology, Vol. 21, No. 3 (Jul., 1924), pp. 480-491 (12 pages)
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