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    Black Abstractionism - Wikipedia

    As part of "The Negro in Art Week" (1927), the Art Institute of Chicago presented a Chicago Woman's Club organized exhibit featuring more than 100 artworks from the Blondiau-Theatre Arts Collection of Primitive African Art and examples of modern and contemporary art, including abstraction, portraiture, realism, and ritualism. The exhibition catalogue was designed by Charles C. Dawson. The Negro in Art Week: Exhibition of Primitive African Sculpture, Modern …

    As part of "The Negro in Art Week" (1927), the Art Institute of Chicago presented a Chicago Woman's Club organized exhibit featuring more than 100 artworks from the Blondiau-Theatre Arts Collection of Primitive African Art and examples of modern and contemporary art, including abstraction, portraiture, realism, and ritualism. The exhibition catalogue was designed by Charles C. Dawson. The Negro in Art Week: Exhibition of Primitive African Sculpture, Modern Paintings, Sculpture, Drawings, Applied Art, and Books, is considered to be the first major museum show of Black artists in the United States.

    In 1929, the Smithsonian in Washington, DC hosted on the ground floor of the US National Museum building, "American Negro Artists", and included artists such as Palmer Hayden, Archibald Motley, and others.

    In New York, the Harlem Renaissance, or New Negro Movement of the 1920s, attempted to redefine the meaning of blackness, the Black experience, and Black art and established black abstract, objective, and representational art as central to modern art history. From 1928 to 1933, the Harmon Foundation hosted five shows featuring Black artists. These exhibits and the annual Harmon Foundation awards were high-profile opportunities for Black artists.
    In the early 1930s, Aaron Douglas created paintings that were "geometric sym…

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    Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas. Black Abstractionism can be found in painting, sculpture, collage, drawing, graphics, ceramics, installation, mixed media, craft and decorative arts.

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    Many artists have claimed responsibility for creating the first piece of abstract art, given the "non-representational" and “non-objective" subject matter of the work. Between November 1906 and March 1907, Hilma af Klint created a series of abstract paintings, "Primordial Chaos". In 1909, Francis Picabia painted "Caoutchouc". A year later, Wassily Kandinsky signed "1910" to one of his abstract watercolors, "Composition VII", although many researchers believe that the work was actually created in 1913; Kandinsky may have backdated his work to claim credit for being the first abstract artist in modern art history unaware of af Klint and Picabia's works.

    The first Black artist to be recognized for creating an abstract work is just as interesting; the challenge with the abstract work associated with black artists is that "it did not announce itself as Black art." Black abstract artists faced all of the same aesthetic, intellectual, and value questions that other abstract artists faced and also had to confront individual and institutional biases regarding content as it related to black abstract signals and symbols. Lowery Stokes Sims, the former president of Studio Museum in Harlem and the first Black curator at the Metropolitan Museum of Art, proposed that abstraction originated from African art, and that Black artists are claiming their birthright through abstraction.

    The glaring omission of Black artists is evident throughout American art history. Many black artists felt marginalized in the white-dominated art world. Museum leaders and gallery owners were rarely interested in the work of Black artists. In the 1700s and 1800s, Black artists created work that did not reflect “the Black experience" in their subject matter; they painted portraits of white families and sweeping landscapes of white owned lands as a way to make money as an artist, which could be interpreted as the “Black experience” for artists during this period. Black artists played a pivotal role in the growth of contemporary art of the 1920s to 1940s, yet they existed on the outskirts of the art world in the United States. During the mid-20th century, several Black artists created nonrepresentational and abstract work, including Robert Blackburn, Frank Bowling, Ed Clark, Fred Eversley, Norman Lewis, Tom Lloyd, during the Abstract Expressionism movement. Since the 1950s, the understanding and presenting of abstract work by Black artists has been a major movement in African American and American art history. By the 1970s, the American art world was evenly split between Black artists who created representational and political work, and artists who investigated "abstract strategies."

    Howardena Pindell and her abstractions were rejected by the Studio Museum in Harlem, encouraging her to "go downtown and show with the white boys", and scolded for making work t…

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    • African Modernism in America
    AfriCOBRA (African Coalition of Black Revolutionary Artists)
    • Art Workers’ Coalition
    Black Artists Group
    • Black Artists in the Museum
    Black Arts Movement
    Black Emergency Cultural Coalition
    • Black primitivism
    • Committee for the Negro in the Arts (1947–1954)
    Federal Art Project
    Harlem Artists Guild
    Hurufiyya movement
    Irascibles
    Organization of Black American Culture
    Post-black art
    Spiral Group
    Washington Color School
    Weusi Artist Collective
    Where We At

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    The following list represents significant black artists who produced abstract work at some point in their careers. Many artists reject being labeled or categorized and express their creative development by moving to and from different mediums. These artists and many of their works would be considered contributions to the Black Abstractionism canon.
    Charles Alston
    Candida Alvarez
    Emma Amos
    Ellsworth Augustus Ausby
    Rushern Baker IV
    Ranti Bam
    Jean-Michel Basquiat
    Romare Bearden
    Kevin Beasley
    John T. Biggers
    McArthur Binion
    Robert Blackburn
    Betty Blayton-Taylor
    Lula Mae Blocton
    Skunder Boghossian
    Chakaia Booker
    Frank Bowling
    Mark Bradford
    Peter Bradley
    Moe Brooker
    Samuel Joseph Brown
    Vivian E. Browne
    Beverly Buchanan
    Lilian T. Burwell
    Yvonne Pickering Carter
    Barbara Chase-Riboud
    Ed Clark
    Robert Colescott
    Bethany Collins
    Houston Conwill
    Eldzier Cortor
    Adger Cowans
    Ralston Crawford
    Emilio Cruz
    Deborah Dancy
    Richard W. Dempsey
    Thornton Dial

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