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    Nativity of Jesus in art - Wikipedia

    The earliest pictorial representations of Jesus' Nativity come from sarcophagi in Rome and Southern Gaul of around this date. They are later than the first scenes of the Adoration of the Magi, which appears in the catacombs of Rome, where Early Christians buried their dead, often decorating the walls of the underground passages and vaults with paintings. Many of these predate the legalisation of Christian worship by the Emperor Constantinein the e…

    The earliest pictorial representations of Jesus' Nativity come from sarcophagi in Rome and Southern Gaul of around this date. They are later than the first scenes of the Adoration of the Magi, which appears in the catacombs of Rome, where Early Christians buried their dead, often decorating the walls of the underground passages and vaults with paintings. Many of these predate the legalisation of Christian worship by the Emperor Constantine in the early 4th century. Typically the Magi move in step together, holding their gifts in front of them, towards a seated Virgin with Christ on her lap. They closely resemble the motif of tribute-bearers which is common in the art of most Mediterranean and Middle-Eastern cultures, and goes back at least two millennia earlier in the case of Egypt; in contemporary Roman art defeated barbarians carry golden wreaths towards an enthroned Emperor.

    One of the earliest frescos depicting Mary that nurses the infant Jesus on her lap is represented in the Catacomb of Priscilla (150 CE) , along with the Ichthys symbol.

    The earliest representations of the Nativity itself are very simple, just showing the infant, tightly wrapped, lying near the ground in a trough or wicker basket. The ox and ass are always present, even when Mary or any other human is no…

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    The Nativity of Jesus has been a major subject of Christian art since the 4th century.

    The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. Nativity pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin.

    The Nativity has been depicted in many different media, both pictorial and sculptural. Pictorial forms include murals, panel paintings, manuscript illuminations, stained glass windows and oil paintings. The subject of the Nativity is often used for altarpieces, many of these combining both painted and sculptural elements. Other sculptural representations of the Nativity include ivory miniatures, carved stone sarcophagi, architectural features such as capitals and door lintels, and free standing sculptures.

    Free-standing sculptures may be grouped into a Nativity scene (crib, creche or presepe) within or outside a church, home, public place or natural setting. The scale of the figures may range from miniature to life-sized. These Nativity scenes probably derived from acted tableau vivants in Rome, although Saint Francis of Assisi gave the tradition a great boost. This tradition continues to this day, with small versions made of porcelain, plaster, plastic or cardboard sold for display in the home. The acted scenes evolved into the Nativity play.

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    The scope of the subject matter which relates to the Nativity story begins with the genealogy of Jesus as listed in the Gospels of both Matthew and Luke. This lineage, or family tree is often depicted visually with a Tree of Jesse, springing from the side of Jesse, the father of King David.

    The Gospels go on to relate that a virgin, Mary, was betrothed to a man Joseph, but before she became fully his wife, an angel appeared to her, announcing that she would give birth to a baby who would be the Son of God. This incident, referred to as the Annunciation is often depicted in art. Matthew's Gospel relates that an angel dispelled Joseph's distress at discovering Mary's pregnancy, and instructed him to name the child Jesus (meaning "God saves"). This scene is depicted only occasionally.

    In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns. At this time, an angel appeared to shepherds on a hillside, telling them that the "Saviour, Christ the Lord" was born. The shepherds went to the stable and found the baby, wrapped in swaddling clothes and lying in the feed trough, or "manger", as the angel had described.

    In the liturgical calendar, the Nativity is followed by the Circumcision of Christ on January 1, which is mentioned only in passing in the Gospels, and which is assumed to have taken place according to Jewish law and custom, and the Presentation of Jesus at the Temple (or "Candlemas"), celebrated on February 2, and described by Luke. Both have iconographic traditions, not covered here.

    The narrative is taken up in the Gospel of Matthew, and relates that "wise men" from the east saw a star, and followed it, believing it would lead them to a new-born king. On arriving in Jerusalem they proceed to the palace where a king might be found, and enquire from the resident despot, King Herod. Herod is worried about being supplanted, but he sends them out, asking them return when they have found the child. They follow the star to Bethlehem, where they give the child gifts of gold, frankincense and myrrh. The men are then warned in a dream that Herod wished to kill the child, and so return to their country another way. Although the gospel mentions neither the number nor the status of the wise men, known as "the Magi", tradition has extrapolated that since there were three gifts, there were three wise men, who are generally also given the rank of king, and so they are also called the "Three Kings". It is as kings th…

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    Nativity of Jesus in later culture for interpretations in other forms of art (music, opera, novels, etc.)

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    199 ^ Matthew:1:21. The name Jesus is the Biblical Greek form of the Hebrew name Joshua meaning "God, our salvation".
    299 ^ Schiller:58
    399 ^ Luke 2:21
    499 ^ The dates vary slightly between churches and calendars – see the respective articles. In particular, the Eastern Orthodox churches celebrate the visit of the Magi, as well as the Nativity, on December 25 of their liturgical calendar, which is January 7 of the usual Gregorian calendar.
    599 ^ Schiller:105
    699 ^ Schiller:60
    799 ^ The subject only emerges in the second half of the 14th century. Schiller:124. In some Orthodox traditions the older boy is the one who protects Joseph from the "shepherd-tempter" in the main Nativity scene.
    899 ^ Schiller:117–123. The date palm incident is also in the Quran. There are two different falling statue legends, one related to the arrival of the family at the Egyptian city of Sotina, and the other usually shown in open country. Sometimes both are shown.
    999 ^ See, for example, Leonardo's Virgin of the Rocks
    1099 ^ Schiller:59
    1199 ^ Schiller:100
    1299 ^ Jeremy Norman. "Possibly the Earliest Known Image of the Virgin Mary". Archived from the original on November 11, 2020. Retrieved February 9, 2025.
    1399 ^ Schiller:60. In fact this sense of the Habakkuk is found in the Hebrew and Greek Bibles, but Jerome's Latin Vulgate, followed by the Authorised Version, translates differently:"O Lord, revive thy work in the midst of the years, in the midst of the years make known" in the AV
    1499 ^ Schiller:59–62
    1599 ^ The mountain follows Scriptural verses such as Habakkuk 3.3 "God [came] from Mount Paran", and the title of Mary as "Holy mountain". Schiller:63
    1699 ^ partly reflecting the arrangement in the Church of the Nativity, where pilgrims already peered under an altar into the actual cave (now the altar is much higher). The actual altar is sometimes shown. Schiller:63
    1799 ^ Schiller:62-3
    1899 ^ Schiller:62–63
    1999 ^ Schiller:66. In late works a young man may fend the tempter off. See: Léonid Ouspensky, The Meaning of Icons, p. 160, 1982, St Vladimir's Seminary, ISBN 0-913836-99-0. In pp.157–160 there is a full account of the later Orthodox iconography of the Nativity.
    2099 ^ Ouspensky, Leonid; Lossky, Vladimir (1999), The Meaning of Icons (5th ed.), Crestwood NY: Saint Vladimir's Seminary Press, p. 159, ISBN 0-913836-99-0

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