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Witness: Art and Civil Rights in the Sixties
Among the works on view was Jack Whitten’s Birmingham, 1964, which was created in reaction to the famous race riots in that city and uses layers of black paint, crushed aluminum foil, and sheer stocking mesh to reveal and obscure …
Jack Whitten | Birmingham (1964) - Artsy
Jack Whitten. Birmingham, 1964. Aluminum foil, newsprint, stocking, and oil on plywood. 16 5/8 × 16 in | 42.2 × 40.6 cm. Brooklyn Museum. Get notifications for similar works. Create Alert. Want to sell a work by this artist? Sell with Artsy. …
Jack Whitten - Wikipedia
Beloved Painter Jack Whitten, as Remembered by Artists, …
Neglected art of the freedom struggle - BBC
Black Grief, White Grievance: Artists Search for Racial …
Feb 18, 2021 · The work is an assemblage painting by Jack Whitten (1939-2018) titled “Birmingham” and dated to 1964. Whitten was born in Alabama, was active in the civil rights movement there, and in 1959...
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ARTIST’S PORTFOLIO: JACK WHITTEN - Artforum
In Birmingham 1964, the artist punctured a painted foil support from behind and so declared the picture resolutely three-dimensional. Yet unlike the slashes of Lucio Fontana or of the décollagistes, the rupture here reveals a single …
‘The condition of black life is one of mourning’
Feb 27, 2021 · Jack Whitten’s “Birmingham” is a wound on the wall, a torn patch of black canvas and charred foil. Through the hole in that calamitous surface, veiled by nylon mesh, we glimpse a familiar...
Birmingham 1964 - Jack - Image 2 from Witness: Art and Civil
Jack Whitten’s first comprehensive retrospective will …
Jul 25, 2024 · This includes Birmingham 1964 (1964), created in response to the bombing of the 16th Street Baptist Church in Birmingham, Alabama. While briefly associated with Abstract Expressionists, such as Willem de Kooning, Whitten …
MoMA Announces ‘Jack Whitten: The Messenger’ – First Major ...
Witness: Art and Civil Rights in the Sixties
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Witness: Art and Civil Rights in the Sixties — Red Wedge
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‘Witness: Art and Civil Rights in the Sixties,’ at the Brooklyn …
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