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- The Crucifixion by Masaccio is a tempera on panel painting1that was originally part of a polyptych created in 1426 for the Church of Carmine in Pisa1. The painting is now located in the Capodimonte Museum in Naples1. The painting was placed on the central panel of the altarpiece, which represented the Virgin enthroned with the baby Jesus on her lap, flanked by two pairs of angels2. Masaccio created an effect of reality by depicting the event from below2.Learn more:✕This summary was generated using AI based on multiple online sources. To view the original source information, use the "Learn more" links.Italiano: la Crocifissione di Masaccio è un quadro (tempera su tavola, cm 83 x 63,5) che si trova a Napoli nel Museo di Capodimonte (inv. Q 36). Originariamente la tavola faceva parte di un polittico realizzato nel 1426 per la Chiesa del Carmine a Pisa, smembrato già alla fine del Cinquecento.commons.wikimedia.org/wiki/Category:Crucifixion_…The Crucifixion by Masaccio is one of the surviving panels connected with the Pisa Altarpiece. It was placed on the central panel of the altarpiece, which represented the Virgin enthroned with the baby Jesus on her lap, flanked by two pairs of angels. Masaccio created an effect of reality by depicting the even from below.www.ukessays.com/essays/theology/the-crucifixio…
Crucifixion, c.1426 - Masaccio - WikiArt.org
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Crucifixion of St. Peter Masaccio • 1426. Crucifixion Paolo Uccello • 1430. …
Crucifixion of St. Peter, 1426
‘Crucifixion of St. Peter’ was created in 1426 by Masaccio in Early Renaissance style. …
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Crucifixion (c.1426) by Masaccio – Artchive
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Crucifixion by MASACCIO
Masaccio | The Pisa Altarpiece (1426) - Art in Tuscany
The Crucifixion is one of the eleven panels (one of the top panels) connected with the Pisa Polyptych. As in the main panel, the Gothic arch determines the pictorial frame, the upward stress of which Masaccio modifies in his composition.
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Masaccio Paintings, Bio, Ideas - TheArtStory
The painting depicts the crucifixion of Christ, with the customary figures of the Virgin and St John at the foot of the cross. However, the scene defies Renaissance convention in so many ways that it has remained an enigma, …
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Masaccio (Tommaso di Ser Giovanni di Simone), Virgin and Child Enthroned, 1426, tempera on panel (National Gallery, London) Ser Giuliano degli Scarsi, a notary from Pisa, commissioned this altarpiece for the chapel of Saint Julian in …
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