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Masaccio, Holy Trinity - Smarthistory
Masaccio was the first painter in the Renaissance to incorporate Brunelleschi’s discovery, linear perspective, in his art. He did this in his fresco, the Holy Trinity, in Santa Maria Novella, in Florence.
"The Holy Trinity" Masaccio - Dawn of the Renaissance
Holy Trinity, Masaccio: Interpretation, Analysis
The Trinity | Composition, Description, & Facts
The Trinity, fresco created about 1427 in the Church of Santa Maria Novella by the early Renaissance Florentine artist Masaccio. It is likely to be the artist’s final work in Florence. The Trinity is often cited as the first major painting to use …
Masaccio’s Holy Trinity – ItalianRenaissance.org
Art in Tuscany | Masaccio | Trinity, Santa Maria …
The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità ) is a fresco by the Early Italian Renaissance painter Masaccio. It is located in the Dominican church of Santa Maria Novella, in Florence.
The Holy Trinity, 1427 - 1428 - Masaccio - WikiArt.org
Oct 16, 2021 · The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità) is a fresco by the Early Italian Renaissance painter Masaccio. It is located in the Dominican church of Santa Maria Novella, in Florence.
Masaccio, Holy Trinity (article) | Khan Academy
The meaning of The Trinity with the Virgin by Masaccio
Masaccio Holy Trinity – Renaissance Through …
For his Holy Trinity in the Florentine church of Santa Maria Novella, Masaccio creates a pyramidal arrangement with God, the dove of the Holy Ghost and the head of Christ at the apex; Mary and John standing on either side of the cross; …
Masaccio’s Trinity: Renaissance masterpiece in Santa Maria Novella
Masaccio's "Holy Trinity": A True Early Italian Piece - Blogger
Masaccio’s Holy Trinity – Art History II
The Holy Trinity (1427 – 1428) by Masaccio – Artchive
Masaccio Paintings, Bio, Ideas | TheArtStory
The image mirrors an earlier painting, The Virgin and Child with St Anne, in which the Mother of God is shown with her own mother standing behind her. The depiction of God as a Father, standing behind his son, allows the viewer to …
Smarthistory – Masaccio, Virgin and Child Enthroned
Masaccio, 'The Virgin and Child', 1426 - The National Gallery, …
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