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  2. Although it can get confusing, it’s very useful to understand these color spaces. To quickly summarize: Log is flat with more data, and Rec. 709 is higher contrast and bakes away some of the data. If you’re going to composite into a Log background, you need to convert your non-Log elements to Log first. Simple as that.
    blog.pond5.com/43940-tips-for-log-color-space-co…
    Log (short for “logarithmic”) records media in a way that captures a wider range of grayscale values (tones) than Rec. 709. Log, like RAW, can be used in both SDR and HDR projects. It records grayscale values in a way that we can extract more detail from shadows and highlights during the color grade.
    larryjordan.com/articles/understanding-raw-hdr-log …
    REC.709 Detail is lost in shadows and highlights are overblown. The advantage of S-Log is far greater control over the final image than material shot natively in REC.709. S-Log gives you the freedom to create dazzling pictures which retain as much of the relevant image information as possible, despite the limitations of the display technology.
    pro.sony/en_be/technology/s-log
     
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