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Islamic Arms and Armor | Essay | The Metropolitan …
The expression “Islamic arms and armor” is a term often somewhat restrictively applied to arms and armor of the Mamluk period (1250–1517) in Egypt and …
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Arms and Armor from the Islamic World
This exhibition features a selection of more than three dozen historical examples of Islamic arms and armor, which represent the breadth and depth of The Met's renowned holdings in this area.
Islamic Arms and Armor in The Metropolitan Museum of Art
The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn …
resources.metmuseum.org
resources.metmuseum.org
Research Associate, Department of Arms and Armor, The Metropolitan Museum of Art I. The Turban Helmet TURBAN HELMETS, SO called because of their over- sized bulbous shape, …
#MetKids - The Metropolitan Museum of Art, i.e. The Met Museum
Armor of Infante Luis, Prince of Asturias (1707–1724) A world of art—make that many worlds—is ready and waiting for you! Get ready to explore over 5,000 years of art from across the globe. …
Arms and Armor | The Metropolitan Museum of Art
About three thousand objects, including the majority of Islamic and Near Eastern examples, which include pieces from Iran, Turkey, and India, plus large numbers of Japanese arms and armor, came to the Museum in 1935 as the bequest of …
Arms and Armor from the Islamic World
Feb 10, 2016 — Spanning 10 centuries and a vast geographic area—from Spain to Southeast Asia—the collection of Islamic arms and armor at the Metropolitan Museum is the largest and …
Cuirass (Char-aina) | The Metropolitan Museum of Art
Cuirass (. Char-aina. ) On view at The Met Fifth Avenue in Gallery 379. In terms of construction, most surviving armors from the Islamic world consist of mail shirts set with iron or steel plates covering the central areas of the front, back, …
Arms and Armor—Common Misconceptions and …
Swords as well as some daggers, whether European, Islamic, or Asian, often have one or more grooves extending down one or both sides (or faces) of the blade. Misconceptions as to their function have led to these grooves being …
Might and Magic: The Use of Talismans in Islamic Arms and Armor
Sep 13, 2016 — Former Mellon Curatorial Fellow Rachel Parikh explores the use of talismans—objects believed to be imbued with magical properties—in arms and armor from …
Fragment of a Coat | The Metropolitan Museum of Art
The decorative thuluth calligraphy, lotus palmettes, animal motifs, and heraldic emblem of this textile are characteristically Mamluk and are seen also in Mamluk enameled glass, illuminated …
Dagger with Scabbard | The Metropolitan Museum of Art
Dagger with Scabbard. The hilt of the dagger is constructed of heavy sections of gold over an iron core and its scabbard mounts are of solid gold. All the intricately engraved surfaces are set …
Five Coats of Arms and a Horizontal Panel; Three Basic Coats of …
Title: Five Coats of Arms and a Horizontal Panel; Three Basic Coats of Arms. Artist: Anonymous, Italian or Spanish, late 15th to early 16th century. Artist: Giovanni Battista di …
Fashion in European Armor, 1500–1600 | The Metropolitan …
On armor, the codpiece as a separate piece of plate defense for the genitals appeared during the second decade of the sixteenth century and remained in use until about 1570. It was generally …
Nasrid Rule in Spain (1232–1492) | The Metropolitan Museum of Art
The Alhambra quickly became the most recognizable symbol of Islamic civilization in Spain. Its decoration is the result of a synthesis of preexisting local Spanish traditions and artistic …
Venice’s Principal Muslim Trading Partners: The …
Mamluk basins, ewers, candlesticks, and incense burners found a place in the finest Venetian homes and churches, and some were even customized with the coat of arms of Venetian …
The Art of the Nasrid Period (1232–1492) | Essay | The …
The creation of a succession of Nasrid rulers, in particular Isma‘il I (r. 1314–25), Yusuf I (r. 1333–54), and Muhammad V (r. 1354–59, 1362–91), the Alhambra was a powerful image for a …
Embroidered by Mary Ann Thomas | Coat of Arms | American
Coats of arms were made either in embroidery or quillwork, a technique of tightly curled paper shaped into a design, frequently embellished with crushed glass, mica, and pearls. However, …
The Arts of the Book in the Islamic World, 1600–1800
The technical aspects of calligraphy, painting, and bookbinding are important facets of the study of Islamic art. Treatises by sixteenth-century Persian authors Qazi Ahmad and Sadiqi Beg are …
Chest with Coats of Arms | French | The Metropolitan Museum of Art
Beneath late Gothic ogee arches, the French royal coat of arms of Charles VIII (1483–98) and Francis I (1515–47) is combined with the family crests of their queens, Anne of Brittany and …
Three Coats of Arms of Sir Hugh Wake over a Royal Fatimid …
Three Coats of Arms of Sir Hugh Wake over a Royal Fatimid Inscription. To the victor go the spoils. This large slab of white marble was a prize won in battle. It had first been used to …
Albrecht Dürer | Coat -of-Arms of Johan Stabius, edition of 1781
Catalogue Raisonné. Title: Coat -of-Arms of Johan Stabius, edition of 1781. Artist: Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Date: n.d. Medium: Woodcut. Classification: …
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