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  2. The Victory Stele of Naram-Sin (presently housed in the Louvre) celebrates the victory of the Akkadian monarch over Satuni, king of the Lullubi (a tribe in the Zagros Mountains), and depicts Naram-Sin ascending a mountain, trampling on the bodies of his enemies, in the image of a god.
    www.worldhistory.org/Naram-Sin/
    Large victory stele carved in pink limestone to celebrate the triumph of King Narām-Sîn of Akkad over the Lullubi a mountain people of the central Zagros region. The stele was taken to Susa in the 12th century BCE by the Elamite king Šutruk-Nahhunte after his victorious campaign in Babylon.
    hist1039-16.omeka.fas.harvard.edu/items/show/9
    The stele features a depiction of Naram-Sin ascending a mountain, symbolizing his connection to the divine and suggesting that he received blessings from the gods during his conquest.
    library.fiveable.me/key-terms/introduction-art/victor…
    The Victory Stele of Naram-Sin commemorates his defeat of the Lullubi. The stele — an upright stone marker — makes a strong visual statement about the power of Naram-Sin. The composition is arranged in loose registers, angling up from the lower left to the upper right.
    smarthistory.org/power-comparisons-and-connecti…
     
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    It is known that the representation of the concept of divinity differed from civilization to another, but the paper highlights the way in which Akkadian artist expresses the concept of the power of divinity and its relation to the power of …

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