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Der Nachsommer - Wikipedia
Der Nachsommer (English: Indian Summer; subtitled A Tale; 1857) is a novel in three volumes by Adalbert Stifter. A 19th century Bildungsroman that describes the journey of an idealistic, sheltered young man from childhood to maturity, it combines aspects of Biedermeier thought with elements of German humanism to create what is generally considered to be a grea… See more
Originally published1857
AuthorAdalbert Stifter
GenreFiction · European Literature · Classics · Literature · Cultural · Literary Fiction · Environment · Novels
CharactersHeinrich Drendorf
Plot summary
This first-person narrative describes the main character Heinrich's maturation in the regimented household of his father and his subsequent encounter and involvement with the owner of the Rosenhaus, the home, and … See more
Themes
According to the English translator of Der Nachsommer, Wendell Frye, the novel "presents an ideal world, in contrast to what Adalbert Stifter saw to be a degenerating period." He goes on to explain that in this novel "the r… See more
Adalbert Stifter - Wikipedia
His major works are the long novels Der Nachsommer and Witiko. Stifter's Der Nachsommer (1857) and Gottfried Keller's Seldwyla …
Wikipedia
Der Nachsommer (Stifter) | Inhaltsangabe & Hintergrund - Wortw…
"Der Nachsommer" ist ein Roman von Adalbert Stifter. Wir geben eine Inhaltsangabe von "Der Nachsommer" sowie zahlreiche Hintergrundinformatio…
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Der Nachsommer – Wikipedia
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Stifter erzählt im Nachsommer eine Bildungs-, Liebes- und Familiengeschichte. Darin sind die Lebensverläufe zweier spiegelbildlich aufeinander bezogener Paare so ineinander verschlungen, dass das jüngere Paar Erfüllung findet, wo das ältere nur einen Nachsommer erlebt. Die Negativerfahrungen des älteren Paares schaffen Einsicht, Orientierung und ma...
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- Estimated Reading Time: 7 mins
Wikipedia
https://en.wikipedia.org › wiki › Adalbert_S…
Adalbert Stifter - Wikipedia
His major works are the long novels Der Nachsommer and Witiko. Stifter's Der Nachsommer (1857) and Gottfried Keller's Seldwyla Folks (German: Die Leute von Seldwyla) were named the two great German novels of the 19th century …
Wortwuchs
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Der Nachsommer (Stifter) | Inhaltsangabe & Hintergrund
"Der Nachsommer" ist ein Roman von Adalbert Stifter. Wir geben eine Inhaltsangabe von "Der Nachsommer" sowie zahlreiche Hintergrundinformationen.
Project Gutenberg
https://www.gutenberg.org › ebooks
Der Nachsommer by Adalbert Stifter | Project Gutenberg
May 1, 2005 · "Der Nachsommer" by Adalbert Stifter is a novel likely written in the mid-19th century. This narrative explores themes of domestic life and the …
Author: Stifter, Adalbert, 1805-1868
Title: Der Nachsommer
Google Sites
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German Literature - Der Nachsommer; Indian Summer - Google …
Der Nachsommer, Stifter’s only novel apart from the late – and much less known – work Witiko, remains one of the more contested examples of German literature. It has been torn to pieces by...
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Was ist Der Nachsommer?
Der Nachsommer mit dem Untertitel Eine Erzählung ( 1857) ist ein Roman in drei Bänden von Adalbert Stifter. Das Werk gehört zu den großen Bildungsromanen des 19. Jahrhunderts. Beschrieben wird ein idealisierter, vom Leben abgeschirmter, teilweise synthetischer Weg eines jungen Menschen in das Erwachsenwerden.
Der Nachsommer – Wikipedia
de.wikipedia.org
Who wrote Der Nachsommer?
Der Nachsommer (English: Indian Summer; subtitled A Tale; 1857) is a novel in three volumes by Adalbert Stifter.
Der Nachsommer - Wikipedia
en.wikipedia.org
What is the theme of 'Der Nachsommer' by Adalbert Stifter?
"Der Nachsommer" by Adalbert Stifter is a novel likely written in the mid-19th century. This narrative explores themes of domestic life and the natural world through the experiences of family dynamics and personal growth, centering around a young boy and his family as they navigate their lives in a quaint household filled with routine and learning.
Der Nachsommer by Adalbert Stifter | Project Gutenberg
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How easy is 'Der Nachsommer' by Adalbert Stifter?
Reading ease score: 72.8 (7th grade). Fairly easy to read. "Der Nachsommer" by Adalbert Stifter is a novel likely written in the mid-19th century.
Der Nachsommer by Adalbert Stifter | Project Gutenberg
gutenberg.org
Is Der Nachsommer one-dimensional?
As Christine Oertel Sjögren notes, in her discussion of the importance of light to the novel, Der Nachsommer is not one-dimensional.
Der Nachsommer - Wikipedia
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Why is death important in Der Nachsommer?
In fact, "while Heinrich's attainment of full and perfect manhood is the goal of the action, death, the extreme form of solitude, is also woven into the world of Der Nachsommer, for awareness of death is essential to maturity.
Der Nachsommer - Wikipedia
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Springer
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Stifter, Adalbert: Der Nachsommer | SpringerLink
Nov 22, 2020 · Der Roman erstreckt sich über mehrere Jahre, die Heinrich im Wechsel zwischen winterlichen Stadtaufenthalten mit privaten Studien, sommerlichen Forschungsreisen und …
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Literary Encyclopedia
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Adalbert Stifter, Der Nachsommer [Indian Summer]
Aug 12, 2004 · Der Nachsommer [Indian Summer, 1857] is generally viewed as Austrian writer Adalbert Stifter’s greatest achievement, and as one of the most significant examples of the …
wikimedia.org
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Category : Der Nachsommer - Wikimedia
Der Nachsommer (Stifter).jpg 1,593 × 1,132; 324 KB Erstausgaben für Wikipedia I 133.jpg 1,366 × 1,977; 592 KB LibriVox - Stifter Eigennutz und Vaterland.ogg 12 min 22 s; 12.74 MB
Wikipedia
https://de.wikipedia.org › wiki › Nachsommer
Nachsommer – Wikipedia
Nachsommer steht für: eine Periode mit mild-sommerlichem Wetter im späten Sommer oder frühen Herbst, siehe Phänologie#Spätsommer; Literatur: Einschub in der Romantrilogie Die …
niu.edu
https://huskiecommons.lib.niu.edu › allgraduate-thesesdissertations
"Adalbert Stifter's Der Nachsommer : a comparison with the …
Adalbert Stifter's novel Per Nachsommer (1857) is perhaps his greatest work of all. In this novel many elements are found which can be considered as typical of Stifter, for it offers shining …
Wikiwand
https://www.wikiwand.com › en › articles › Der_Nachsommer
Der Nachsommer - Wikiwand
Der Nachsommer (English: Indian Summer; subtitled A Tale; 1857) is a novel in three volumes by Adalbert Stifter. A 19th century Bildungsroman that describes the journey of an idealistic, …
listory.org
https://www.listory.org › lists › novels
Famous Novels - Der Nachsommer
Der Nachsommer (English: Indian Summer; subtitled A Tale; 1857) is a novel in three volumes by Adalbert Stifter. A 19th century Bildungsroman that describes the journey of an idealistic, …
LiquiSearch
https://www.liquisearch.com › der_nachsommer › plot_summary
Der Nachsommer - Plot Summary - LiquiSearch
Heinrich becomes a gentleman Natural scientist exploring Alpine mountains and foothills. He is interested in the geology, flora and fauna of the region. On one of his hiking excursions, …
Alchetron
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Der Nachsommer - Alchetron, The Free Social Encyclopedia
Sep 22, 2024 · Der Nachsommer (English Indian Summer subtitled A Tale 1857) is a novel in three volumes by Adalbert Stifter. A 19th century Bildungsroman that describes the journey of …
wikipedia.org
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Adalbert Stifter - Wikipedia
Der Nachsommer (1857) al lui Stifter și Die Leute von Seldwyla (Lumea din Seldwyla) al lui Gottfried Keller au fost considerate de Friedrich Nietzsche cele două romane germane mari …
Opalstack
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Der Nachsommer – Wikipedia – Enzyklopädie - Opalstack
Nov 18, 2020 · Der Nachsommer (English: Indian Summer; subtitled A Tale; 1857) is a novel in three volumes by Adalbert Stifter. A 19th century Bildungsroman that describes the journey of …
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Talk:Der Nachsommer - Wikipedia
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Wikiwand
https://www.wikiwand.com › de › articles › Der_Nachsommer
Der Nachsommer - Wikiwand
Der Nachsommer mit dem Untertitel Eine Erzählung (1857) ist ein Roman in drei Bänden von Adalbert Stifter. Das Werk gehört zu den großen Bildungsromanen des 19. Jahrhunderts. …
wikipedia.org
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Biedermeier - Wikipedia
Der Sonntagsspaziergang (română Plimbarea de duminică), pictură de Carl Spitzweg, o reprezentare picturală tipică a perioadei Biedermeier (). Perioada Biedermeier a fost o epocă …
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Reviews
Although Adalbert Stifter's 1857 novel Der Nachsommer (Indian Summer) is considered by many readers (and als…
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Although Adalbert Stifter's 1857 novel Der Nachsommer (Indian Summer) is considered by many readers (and also by many critics) as one of the great German language novels of development of the 19th century (a Bildungsroman per excellence), I have personally often questioned exactly how much and how deeply the main protagonist Heinrich in actual fact ever matures, develops and truly changes (especially since unlike with so many other such novels of development, maturation and change, there is really never all that much conflict, there are no adventuresome episodes presented, and also no real and possibly painful choices that the main character, that Heinrich must make, that his education and development are pleasurable and featured as pretty much painless for him). For while Heinrich's life situation does indeed somewhat alter throughout the course of Der Nachsommer, he (at least in my humble opinion) never really does all that much seem to become his "own man" so to speak, simply and very easily moving from his merchant father's highly regimented household to the Rosenhaus, whose owner (the Freiherr von Risach) then with body and soul, totally and utterly becomes Heinrich's new mentor, his new father figure (and as such a teacher who while definitely more philosophically inclined, more idealistic and classically educated than Heinrich's father is nevertheless and still similarly staunchly regimented and structured, and von Risach's philosophies and teachings are also generally accepted by Heinrich as his eager pupil without too much debate, criticism and questioning). Now part of this sense of textual remoteness, of feeling that there is really no or at least precious little actual and palpable experienceable …
Goodreads
I recall a literary paper on adalbert stifter which is called "fascination and boredom in stifter's writing" and - withou…
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I recall a literary paper on adalbert stifter which is called "fascination and boredom in stifter's writing" and - without reading it or remembering the author - my relation with this book - my first written by this author coming from exactly the same city like me and thus especially interesting for me - couldn't be described in a better way.....so far the all-too-wise main character has indulged into long unwinding descriptions of his father's house, of his intense studies ranging from mathematics to geology to his ramblings through the mountains and plains of his region. the story starts getting into a kind of plot when the scholarly hero seeks refuge from a storm he's expecting in the house of a mysterious and even wiser old man where he stays for two nights to be instructed in virtually everything from how to preserve trees from being damaged by insects to the conservation of precious gothic altars. sometimes the utterly long descriptions of scientific instruments, valuable furniture, plants, birds, rooms and the like bore the heck out of me, but still i can't keep myself from turning pages. it's quite a challenge to read a book like this in a fast-paced time as ours, but Stifter's beautiful concise language makes up for the lack of action and the book also gives an intersting insight into the nineteenth century's attitude towards the surrounding world: the author is clearly influenced by the Age of Enlightenment: the joy of observing nature, the necessity of structure and classification, the obsession with education shine through each and every chapter. the typically german genre of the "bildungsroman" fits the author's strive for conveying his message. all this may sound terribly dry, but when the protagonist left the house of his benevolent host i felt quite nostalgic for the beauty of this well-kept, friendly …
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Have you ever wondered what a novel would be like devoid of strife, war, tension, sex, violence, unreliable narrators, int…
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Have you ever wondered what a novel would be like devoid of strife, war, tension, sex, violence, unreliable narrators, internal turmoil, wickedness, redemption, car-chases, gun-fights, zombies etc. Well, Adalbert Stifter's Indian Summer is such a novel. 'So what on Earth can it be about then?' I hear you ask. The short reply is that it is a idyllic, nineteenth-century, middle-class bildungsroman. In fact, it is so idyllic that I don't believe at any point in the novel do any of the characters say, or think, badly of any other character and I can only recall one point near the end of the novel, where one elderly character is recounting the story of a love affair from his past, when there was a degree of tension between characters. For those of us who have grown up with Dickens or Dostoyevsky this type of novel can be a bit of a surprise and even though I was familiar with a few of Stifter's other works I wasn't really prepared for this work. The book was originally published in 1857 as Der Nachsommer. The English translation was by Wendell Frye and was published in 1999 by 'Peter Lang Publishers'. It is quite a long book at 478 pages, especially as the book is larger than the usual novel size; it is more like a 700-800 page novel - so be warned! I'm not trying to put anyone off reading this book, because I really enjoyed reading it, but I think that a large portion of people will really dislike it. Indeed, in his introduction, Wendell Frye says that 'Der Nachsommer had a mixed reception from the beginning; Hebbel offered the crown of Poland to whomever could read it through while Nietzsche pronounced it and Keller's Der Grüne Heinrich the two greatest novels of the Nineteenth Century.' And I believe that the gap between those that will like it and those that won't will have increased enormously since then. So the story …
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Der Nachsommer – Wikipedia

Der Nachsommer - Wikipedia

Der Nachsommer by Adalbert Stifter | Project Gutenberg

Der Nachsommer by Adalbert Stifter | Project Gutenberg

Der Nachsommer - Wikipedia

Der Nachsommer - Wikipedia

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