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  1. Luciano Pavarotti
    Luciano PavarottiItalian operatic tenor
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  2. People also ask
    Who is Pavarotti and why is he famous?
    Luciano Pavarotti is a renowned opera singer, having made many of opera's leading tenor roles his own. He has performed in the world's most prestigious opera houses and is known as "the most popular artist in the history of the classical recording industry" by his record label Decca.

    Life with Pavarotti: his food, his harem and his 'stupido' rivals

    theguardian.com
    Who was Luciano Pavarotti?
    "Luciano Pavarotti is the Babe Ruth of the opera world," Joseph Volpe, Pavarotti's longtime friend and former general manager of New York's Metropolitan Opera, told ABC News before the singer's death. "There isn't anywhere Luciano wouldn't be recognized — incredible charisma, smile and his sense of humor!"

    Opera Great Luciano Pavarotti Dead at 71 - ABC News

    abcnews.go.com
    How did Pavarotti relate to Giuseppe Verdi?
    Pavarotti had a special connection with the music of Giuseppe Verdi, who had lived, after all, no more than 100 kilometers from where young Luciano grew up in Modena. From the early years of his career, the tenor undertook the lyrical protagonists of Verdi’s early and middle periods.

    From the Archives: Pavarotti at the Met - Metropolitan Opera

    metopera.org
    When did Pavarotti start singing?
    Pavarotti was born on October 12 th, 1935, in Modena, Emilia Romagna. He was an only child of a baker who was also an amateur singer. Pavarotti received his first taste of singing as a member of the Rossini Choir in Modena.

    Pavarotti - Life in Italy

    lifeinitaly.com
    What was Pavarotti's repertory at the met?
    Except for the title role in Mozart’s Idomeneo (pictured below) and the supporting part of the Italian Tenor in Strauss’s Der Rosenkavalier, Pavarotti’s repertory at the Met was confined to the Italian Romantic repertory, from Bellini to Puccini.

    From the Archives: Pavarotti at the Met - Metropolitan Opera

    metopera.org
    How did Pavarotti approach Mimi?
    Pavarotti (it must have been his own interpretation for he could surely have had little or no rehearsal time) simply took in the situation from across the room as Mimi sought for her key, and then strode over and grasped her hand firmly. It is indicative of his entire approach to the role.

    Metropolitan Opera Archives

    archives.metopera.org
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