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    Ode to My Father - Wikipedia

    Ode to My Father (Korean: 국제시장) is a 2014 South Korean drama film directed by Yoon Je-kyoon. Starring Hwang Jung-min, Yunjin Kim, and Oh Dal-su, it depicts South Korean history from the 1950s to the present day through the life of an ordinary man, as he experiences events such as the Hungnam evacuation of 1950 during the Korean War, the government's decision to dispatch nurses and miners to West Germanyin the 19…

    Ode to My Father (Korean: 국제시장) is a 2014 South Korean drama film directed by Yoon Je-kyoon. Starring Hwang Jung-min, Yunjin Kim, and Oh Dal-su, it depicts South Korean history from the 1950s to the present day through the life of an ordinary man, as he experiences events such as the Hungnam evacuation of 1950 during the Korean War, the government's decision to dispatch nurses and miners to West Germany in the 1960s, and the Vietnam War.

    It is currently the seventh highest-grossing film in the history of South Korean cinema, with 14.2 million tickets sold.

    Wikipedia

    During the Hungnam Evacuation of 1950 in the Korean War, when thousands of refugees in North Korea were transported south by U.S. naval boats, the child Deok-soo loses his sister Mak-soon. His father stays behind to search for her, telling his son to take the boy's mother and two younger siblings to the port city of Busan, where Deok-soo's aunt runs an imported goods store and contracts with USFK at Busan Base. Before leaving the family, the father makes Deok-soo promise to serve as the head of the family in his place.

    Deok-soo becomes his family's breadwinner from an early age, doing all sorts of odd jobs to support the family. In the 1960s, financial need forces him to travel to Germany with his best friend Dal-goo, where they find dangerous work as Gastarbeiter (guest workers) at German coal mines in Hamborn, North Rhine-Westphalia in Germany to pay for his brother's tuition at Seoul National University. There, Deok-soo falls in love with a fellow migrant worker, nurse Yeong-ja. Deok-soo survives a mining accident and leaves Germany after his visa expires. Yeong-ja returns to Korea months later and tells him she's pregnant with his child. They have a modest wedding, begin a life together and have two sons.

    After a few years, Deok-soo's aunt dies and his elderly uncle needs money and decides to sell the store, something Deok-soo disagrees with. Because of the situations he gave up his dream to be a Sea captain and enrol Korea Maritime and Ocean University.

    Deok-soo enlists in the Korean army in the 1970s to serve in the war-torn Vietnam, partly to fulfill his sister's wish for a big wedding by earning enough money to purchase the store from his uncle. He returns to Korea with a lame leg after getting shot while helping villagers escape from the Viet Cong.

    Deok-soo runs the store with his wife. In 1983, when major broadcast stations in Korea run TV programmes in which relatives separated during the Korean War are reunited, Deok-soo is contacted to be featured in one of these shows due to the hope of an elderly man from his hometown who claims to be his father.

    On TV, the two realise they are not related. Deok-soo's family is distraught but soon afterwards, the same program brings Deok-soo back to TV in the hope of finding his long-lost sister Mak-soon. A Korean American woman adopted as a child by an American family during the Korean War is featured. Deok-soo realises that she is his long-lost sister after talking to her despite he could not speak English and she could not speak Korean. An emotional family reunion ensues and his sister comes to Korea. Deok-soo's mother dies soon afterwards.

    In the present, an elderly Deok-soo finally decides to sell the store to municipal government, something he had stubbornly refused to do despite the store losing money. His father promised to reunite with the family at the store, and this explains why Deok-soo bought and held on to it for such a long time. In the final scene, Deok-soo wistfully tells his wife that his father is probably too old to still be alive and come home.

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    Hwang Jung-min as Yoon Deok-soo
    Yunjin Kim as Young-ja
    Oh Dal-su as Dal-goo
    Jung Jin-young as Deok-soo's father
    Jang Young-nam as Deok-soo's mother
    Ra Mi-ran as Deok-soo's paternal aunt
    Kim Seul-gi as Kkeut-soon
    • Lee Hyun as Seung-gyu
    • Kim Min-jae as Yoon Do-joo
    • Tae In-ho as Yoon Gi-joo
    • Hwang Seon-hwa as Yoon Seon-joo
    • Uhm Ji-seong as young Deok-soo
    • Jang Dae-woong as young Dal-goo
    Shin Rin-ah as young Mak-soon
    • Lee Ye-eun as Yoon Seo-yeon
    Kim Sun-young as woman in the market
    • Choi Jae-sub as Korean miner 1
    • Jung Young-ki as Korean miner 2
    • Yoo Jung-ho as Korean miner 3
    Maeng Se-chang as Korean miner 4
    • Hong Seok-yeon as Deok-soo's uncle
    • Stella Choe Kim as Mak-soon Yoon
    Matthew Douma as Mak-soon's U.S. husband
    Jeon So-mi as Mak-soon's eldest daughter
    Evelyn Douma as Mak-soon's youngest daughter
    Go Yoon as Hyun Bong-hak
    • Nam Jin-bok as Chung Ju-yung
    • Park Seon-woong as André Kim
    • Hwang In-joon as Announcer Kim Dong-geon
    • Park Young-seo as President of youth organization
    Jung Yun-ho as Nam Jin

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    Ode to My Father was primarily shot in Busan, director Yoon Je-kyoon's hometown where he also shot his previous films Miracle on 1st Street (2007) and Haeundae (2009). It was filmed from 3 September to 25 December 2013, notably at the titular Gukje Market, the biggest open-air street market in Busan that began in the 1950s as a series of stalls set up by wartime refugees seeking to earn a meager living. Overseas locations included the Czech Republic and Thailand (standing in for Germany and Vietnam, respectively). The film's popularity later boosted tourism in Busan, with tours offered of the locations featured in the film, such as Gukje Market; Jagalchi Market; Nampo-dong; and Chojang-dong.

    With a ₩14 billion budget, Ode to My Father was the first Korean blockbuster that enforced a standard labor contract with the crew, which stated that they could not work for more than 12 hours a day, and were given overtime pay and a full day off once a week. The cultural, arts and entertainment fields in Korea have typically ignored labor laws and regulations, where deeply rooted tradition causes young staff members to be overworked yet rarely paid. After a long campaign by film professionals, the first Korean film to be made with a standard labor contract was Venus Talk in 2013, but Ode to My Father went further by enforcing the contract from the pre-production stage and ensuring that bonuses will be distributed equally to the entire crew. Director Yoon said production costs rose by ₩300 million because of the contract, but that people worked harder and more willingly, which ended up elevating the quality of the work.

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    The film was released in South Korea on 17 December 2014. It topped the box office, drawing 1.5 million viewers in its first five days with a gross of ₩1.5 billion. The film remained No. 1 for five consecutive weeks, despite facing competition from numerous new releases. By 13 January 2015, it recorded 10,001,709 ticket sales, making it the eleventh domestic film (and fourteenth overall) to reach 10 million admissions in the country's history.

    In its eighth week of release, Ode to My Father became the second highest-grossing film of all time in the history of South Korean cinema, with 14.2 million admissions. As of 1 March 2015, the film has grossed US$96 million in South Korea.

    For its North American run, the film premiered in Los Angeles on 31 December 2014 where it drew over 6,000 viewers after four days of release, mostly first-generation Korean-American immigrants in their fifties and older. Beginning 9 January 2015, it expanded to 43 US and Canadian cities such as New York City, Chicago, Washington D.C., Boston, Seattle, Toronto, and Vancouver.

    It was also screened in the Panorama section of the 65th Berlin International Film Festival in February 2015, and among the audience were 20 ethnic Korean first-generation immigrants whose experiences were portrayed in the film.

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