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  2. Dictionary

    or·ga·num
    [ˈôrɡənəm]
    noun
    organum (noun) · organa (plural noun)
    1. (in medieval music) a form of early polyphony based on an existing plainsong.
    Origin
    Latin, from Greek organon, literally ‘instrument, organ’.
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  3. Organum’s origins stem from the 9th to the 16th centuries, when it became the go-to form in vocal polyphony. The term “organum” is taken from the Greek word ὄργανον, which means “tool” or “instrument.” From Gregorian chants emerged the early organum around 1000 A.D.
    audioapartment.com/music-theory-and-compositio…
    The first document to describe organum specifically, and give rules for its performance, was the Musica enchiriadis (c. 895), a treatise traditionally (and probably incorrectly) attributed to Hucbald of St. Amand. The oldest methods of teaching organum can be found in the Scolica and the Bamberg Dialogues, along with the Musica enchiriadis.
    en.wikipedia.org/wiki/Organum
    The organ began making its way into churches around 900 CE. Exactly how and why remains an enigma, but it appears that the organ was first used for ceremonial purposes. By the 1400s, the use of organs was well established in monastic churches and cathedrals throughout Europe.
    westfield.org/programs/curious-facts/
     
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    Organum - Wikipedia

    Early organum The first document to describe organum specifically, and give rules for its performance, was the Musica enchiriadis (c. 895), a treatise traditionally (and probably incorrectly) attributed to Hucbald of St. Amand. The oldest methods of teaching organum can be found in the Scolica and the Bamberg … See more

    Organum is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a … See more

    • Various articles, including "Organum", "Musica enchiriadis", "Hucbald", "St Martial" in The New Grove Dictionary of Music and … See more

    • Apel, Willi. 1949. "From St. Martial to Notre Dame". Journal of the American Musicological Society 2, no. 3 (Autumn): 145–58. See more

     
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